July 15, 2025

Photo essay: Kashmir’s pencil village faces a raw material crisis

Oukhoo, a village in Kashmir, produces most of India’s pencil slats. But the felling of poplar trees is now threatening wood supply, jobs, and the region’s economy.

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The village of Oukhoo, located a few kilometres from Pulwama town in South Kashmir, has long been known as the ‘pencil village of India’. Approximately 90 percent of the pencils produced in India originate here. However, the village’s once-flourishing pencil industry now stands at a crossroads, struggling with a severe shortage of poplar wood—the primary raw material for pencil slats.

The image features a pile of chopped wooden logs placed in the open. Behind the pile, logs have been stacked in neat rows on top of each other. In the background, there is a large residential structure with bare trees around it._Oukhoo pencil village
Stacks of poplar logs lie in the open at a pencil unit in Oukhoo.

Inside one of Oukhoo’s units, 24-year-old Nazrana Farooq is focused on trimming poplar wood blocks into thin slats. “Children [across India] are able to complete their assignments and make notes because of the workers here,” she says. “We feel proud to make pencils for the country. But due to the shortage of raw materials, our incomes are dwindling.” 

She adds, “If the government does not start poplar afforestation, we will be rendered jobless in the future.” 

The image is close-up of a large tree stump in a field of grass. There are a few trees in the distance._Oukhoo pencil village
A felled poplar tree lies by a barbed wire fence.

The pencil-making process is labour-intensive. Workers, many of whom are women, spend hours turning large poplar logs into smooth slats. The work begins with buying logs in bulk, which are then chopped, sliced into 5.2-mm-thick wooden slats of specific dimensions (78×77 cm), and either sun- or machine-dried. These slats are then packed—800 per bag—and sent for final processing to units in Jammu, Chandigarh, and other parts of India.

The image features the inside of a pencil-manufacturing facility with brick walls and a tin roof. The workers are mostly women. In the foreground, two women are stacking small slats of wood into rows on a metal table. A machine and plastic crates are placed on the floor._Oukhoo pencil village
Pencil slats are stacked and stocked inside a manufacturing unit.

But the source of these logs is dwindling. In 2020, the Jammu and Kashmir government issued an order to remove approximately 42,000 Russian poplar trees, which were blamed for the spread of infection during the COVID-19 pandemic. Researcher and botanist Junaid Quyoom contests this framing: “There is no scientific proof that poplar trees spread infections. On the contrary, trees are known to provide us with oxygen and improve lung capacity.”  

Mohammad Ashraf Matta, a 36-year-old contractor from Bandipora, says, “Poplars that flower in April-May are believed to spread respiratory infections. But it may just be due to seasonal change. People are now planting apple trees instead. Following the government order, lakhs of trees along riverbanks and natural streams have been cut down.” 

The image shows a metal table with plastic crates placed on it out in the open. Each crate contains small wooden slats. A man is seen placing another crate on the table while another man stands next to him. A third man walks past them carrying a plastic tub of what appears to be fodder on his head. There are small room-like concrete structures in the background._Oukhoo pencil village
A worker carries a tub of pencil slats, while others stack them into crates for dispatch.

Farooq Ahmad Dar, who has worked in the industry since 2013, explains, “Growing a poplar tree takes approximately 20 years, and we’ve now lost most of them. The government should run awareness programmes and motivate people to plant poplars, or develop high-density varieties that mature in five to six years.” 

The impact of this raw material shortage is already visible. “In winter, we encounter more shortages, sometimes leading to work stoppages for several days. Earlier, we had substantial work. Now we’re cutting down our workforce,” Farooq says. 

This is another image of a pencil-manufacturing facility. A young man sets slats of wood in a metal machine. Behind him, other workers, including women, similarly arrange wooden slats._Oukhoo pencil village
Poplar wood slats are inspected and aligned.

Oukhoo was once home to 17 pencil manufacturing units that employed between 2,000 and 3,000 workers, both local and migrant. This number has since declined significantly. Today, only around nine of these factories remain operational. Ali Mohammad, a 43-year-old Oukhoo resident, says, “Earlier, these factories provided us with jobs and income. But the situation is changing. Many workers have already lost their jobs.”  

At present, Jhelum Agro Industries, one of the bigger factories in the area, employs only about 100 people. Fatima Nabi, 27, is one of approximately 30 young women working there. “Most of us come from low-income families. Some are orphans. This work is how we support ourselves and our families.” 

The image depicts a group of three men. One man is seated and operating a big machine. The second man is holding a rectangular piece of wood in his hands, while the third man stands with his back turned. There are big logs of chopped wood placed on the ground._Oukhoo pencil village
Workers slice poplar logs into slabs at an early stage of the pencil-making process.

Naseema Begum, 25, who has been working at the Jhelum Agro unit for several years, says, “We’ve managed heavy workloads for a long time. But now, the shortage of raw materials makes us uncertain if we’ll have jobs tomorrow.” She points out a deeper concern—lack of afforestation. “For every 10 trees cut, only one is planted. How can we justify cutting down trees that support us?” 

The image is of the inside of a pencil-manufacturing facility. It depicts a women seated in front of a table which has a metal frame with slats of wood stacked in it. There is a second metal frame with wooden slats behind it. The table is covered in piles of sawdust. There is another woman standing in the background with her back turned, and there are big white bags with packaged materials placed next to the brick wall._Oukhoo pencil village
Slats are trimmed to precise dimensions using a mechanical cutter.

Despite these challenges, many still find dignity in their work. “Our pencils have been exported to approximately 85 countries,” says Farooq. “We supply to Hindustan Pencils, the largest pencil manufacturer in India. There’s a 70 percent chance that the pencil you are holding was made in Oukhoo.” 

Without a long-term solution—such as the mass plantation of fast-growing poplars and consistent raw material supply—India’s pencil village could lose more than just a title. It could cost thousands their livelihoods. 

Know more

  • Read about the innovative ways Kashmir’s saffron growers are adapting to climate pressures through indoor farming. 
  • Learn how deforestation threatens the Kashmiri willow bat industry. 
  • Read how forest loss is threatening habitats and biodiversity in Dachigam National Park.
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ABOUT THE AUTHORS
Tauseef Ahmad-Image
Tauseef Ahmad

Tauseef Ahmad is a freelance journalist based in Kashmir. He has reported for a range of national and international publications including News International, Al Jazeera, TRT World, News Decoder, The Polis Project, FairPlanet, and Mongabay. With a background in mass communications and multimedia production, Tauseef focuses on stories from conflict zones, environmental issues, and underreported communities in the region.

Sajid Raina-Image
Sajid Raina

Sajid Raina is a Delhi-based freelance journalist who writes on politics, human rights, and social justice. His work has appeared in News International, Article 14, The Diplomat, The Polis Project, FairPlanet, and other platforms. He holds a master’s degree in mass communications and reports with a focus on marginalised communities and underrepresented narratives.

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